Georges Brassens
ArtistSphere Top 100
Songs that defined 1952.
Our chart ranks up to 100 catalog recordings by supported estimated Spotify earnings, giving familiar hits and rediscovered favorites one clear measure.
Explore the full 1950sFrédéric Chopin, Guiomar Novaes
24 Preludes, Op. 28: No. 4 in E Minor, Largo
1952Frédéric Chopin, Guiomar Novaes
24 Preludes, Op. 28: No. 15 in D-Flat Major, Sostenuto
1952Gustav Mahler, Vienna State Opera Orchestra, Hermann Scherchen
Symphony No.5 in C sharp minor: 4. Adagietto (Sehr langsam)
1952Wolfgang Amadeus Mozart, José Iturbi, Amparo Iturbi, RCA Victor Symphony Orchestra
Piano Concerto No. 10 in E-Flat Major, K. 365/316a: I. Allegro
1952Betty Hutton
It's a Man
1952Vincenzo Bellini, Maria Callas, Giulietta Simionato, Kurt Baum, Nicola Moscona, Palacio de Bellas Artes Orchestra, Guido Picco
Norma, Act I: Casta diva
1952Dickie Valentine
Christmas Alphabet
1952Jimmy Dorsey
Tangerine
1952Ferlin Husky, Hank Locklin
Wings of a Dove
1952Georges Brassens
Ku-U-I-Po - High Quality Restoration Remastering
1952Georges Brassens
Corne d'auroch
1952Betty Hutton
Hes a Demon Hes a Devil Hes a Doll (Alternate Take)
1952Giuseppe Di Stefano
Carmela
1952Giuseppe Di Stefano, Henri Ottone
Fenesta Che Lucive
1952Franz Schubert, Gérard Souzay, Jacqueline Bonneau
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Remastered)
1952Giuseppe Di Stefano
A te, o cara, amor talora - I Puritani
1952Giuseppe Di Stefano, Henri Ottone
E la Solita Storia
1952Robert Schumann, Irma Kolassi, Jacqueline Bonneau
Liederkreis, Op. 39: In der Fremde
1952Gabriel Fauré, Gérard Souzay, Jacqueline Bonneau
L'horizon chimérique, Op. 118: No. 2, Je me suis embarqué
1952Claude Debussy, Irma Kolassi, André Collard
Le Promenoir des deux amants, L.118: 2. Crois mon conseil, chère Climène
1952Claude Debussy, Irma Kolassi, André Collard
Trois chansons de Bilitis, L.90: 3. Le Tombeau des Naïades
1952Giuseppe Di Stefano, Henri Ottone
Pourquoi Me Reveiller
1952Giuseppe Di Stefano, Henri Ottone
Ideale 2
1952Claude Debussy, Irma Kolassi, André Collard
