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Sound: You're Still The One
@desenvolvanapratica
You're Still The One - Live
15.6M views
Watch on TikTok ↗Sound: You're Still The One
@playlist4ever
Replying to @asmyyuh #fyp #fypシ #shaniatwain #yourestilltheone
13.8M views
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@realwildernessbaby
do they know it’s always an option when Nate’s gone? | #euphoria #wlw #sydneysweeney #cassiehoward #maddyperez
10.5M views
Watch on TikTok ↗Sound: You're Still The One
@itssdxxmxx
Tag them!! 🌸✨💋 #relatable #friends #group #fyp
9.9M views
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There is more to Shania Twain.
Shania Twain is an artist associated with country, pop, Canadian country, and Canadian pop. Representative songs include “You’re Still The One - International Mix,” “You’re Still The One,” “Still The One,” and “Man! I Feel Like A Woman!,” and you can follow her on Spotify, YouTube, Instagram, and TikTok. Available sections include Instagram posts, TikTok highlights, recent coverage, and playlists.
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Shania Twain
Still The One
2013Shania Twain
Man! I Feel Like A Woman
2005
Shania Twain
Man! I Feel Like A Woman! - International Mix
1997Shania Twain
Man! I Feel Like A Woman!
1997Shania Twain
Any Man Of Mine
1995Shania Twain, Bryan White
From This Moment On
1997Shania Twain
I'm Gonna Getcha Good
2002Shania Twain, Mark McGrath
Party For Two - Pop Version With Intro
2004Shania Twain
Ain't No Particular Way - Red Version
2002Shania Twain
I'm Jealous - Red Version
2002Shania Twain
I Ain't Goin' Down - Red Version
2002Shania Twain
God Ain't Gonna Getcha For That
1993Showing 12 of 94 songs
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Deterministic forecast
Spotify royalty estimates
All time
$2,608,000
Rounded forecast · nearest $1,000
estimated Spotify gross royalties to rightsholders
Inputs and assumptions
- As of
- Oct 17, 2026
- Source
- Chartmetric
- Formula version
- artistsphere_spotify_gross_preview_v1
Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.
These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.
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