Recording guide
Tick Tick Boom (feat. BygTwo3)
- primarySage The Gemini
- featuredBygTwo3
“Tick Tick Boom (feat. BygTwo3)” is credited to Sage The Gemini and BygTwo3. This recording runs 2:10.
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Tick Tick Boom (feat. BygTwo3)
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@amauryguichon
Tick Tick Boom (feat. BygTwo3)
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There is more to Sage The Gemini.
Recordings listed for Sage The Gemini include “GDFR (feat. Sage the Gemini & Lookas)”, “Gas Pedal” and “Gas Pedal (feat. IamSu)”. Catalog genres: Hip-Hop/Rap.
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The numbers behind the music
Explore the streaming estimates.
Curious about the numbers? See available royalty estimates and an optional catalog valuation.
Deterministic forecast
Spotify royalty estimates
All time
$261,000
Rounded forecast · nearest $1,000
estimated Spotify gross royalties to rightsholders
Inputs and assumptions
- As of
- Oct 28, 2026
- Source
- Chartmetric
- Formula version
- artistsphere_spotify_gross_preview_v1
Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.
Trailing 12 months
$54,000
Rounded forecast · nearest $1,000
estimated Spotify gross royalties to rightsholders
Inputs and assumptions
- As of
- Oct 28, 2026
- Source
- Chartmetric
- Formula version
- artistsphere_spotify_gross_preview_v1
- Measured period
- Oct 29, 2025–Oct 28, 2026
Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.
These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.
Read the full methodologyBeyond Spotify · free email unlock
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Explore the modeled all-platform range, estimated revenue sources, and illustrative recording and composition rights splits. These are estimated gross royalties to rightsholders, not artist take-home pay.
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