Song story

Dammit

Dammit is a recording by blink-182, released in 1997.

Catalog dateJan 1, 1997

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Behind the recording

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Selected TikTok examples

Popular videos featuring Dammit.

Sound: Dammit

@jesealee

Partied too hard for Blink? #blink182 #poppunk #travisbarker

1.1M views

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Sound: Dammit

@bryantroses

I guess this is growing up . . . #countrymusic #blink182 #90spoppunk #folkcovers

901.2K views

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Sound: Dammit

@jamesmakesmusic

this is growing up #heelys #swag #vibes

646.2K views

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Sound: Dammit

@moosepainting

💥 Setting up containment and ventilation 💥 * Even tho all I’m using on this job is the airbrush I am spraying a 2k lacquer. So containing and creating a negative airflow area is absolutely key! * -Rolled out the plastic and created the barrier with the zipwalls - Used the Re-U-Zips to create a door to bring what I need into the workspace (and another one to access the bathroom 🤗) -Taped the base of the plastic down using the 3M 2” high adhesive masking tape - Jimmypro gasket installed for the Ve

625.1K views

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Keep exploring

There is more to blink-182.

Explore blink-182 through ArtistSphere's verified catalog signals across pop punk, alternative rock, emo, with All The Small Things, I Miss You, What's My Age Again? as listening starting points. Continue with the available verified links and fan discovery sections for Spotify, TikTok, YouTube, Instagram gathered for this artist page.

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The numbers behind the music

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Deterministic forecast

Spotify royalty estimates

Gross to rightsholders

All time

$1,171,000

Rounded forecast · nearest $1,000

estimated Spotify gross royalties to rightsholders

Inputs and assumptions
As of
Sep 10, 2026
Source
Chartmetric
Formula version
artistsphere_spotify_gross_preview_v1

Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.

These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.

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Explore the modeled all-platform range, estimated revenue sources, and illustrative recording and composition rights splits. These are estimated gross royalties to rightsholders, not artist take-home pay.

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