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Recording guide

Amado

“Amado” is credited to Vanessa Da Mata. This recording runs 4:11.

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Running time4:11
Catalog dateJan 1, 2007

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Sound: Amado

@taisdeverdade

São 22 anos juntos e quase todo me pergunta como é possível. Como vocês conseguiram? Como a gente conseguiu? Ano passado, você fez 21 motivos para me amar e hoje eu trago os 22 motivos que fazem esse amor existir e resistir há tanto tempo. Mas antes, preciso dizer: eu tenho muita sorte de ter te encontrado nessa vida! Te amo, mozinho! ❤️ Vamos lá, como a gente conseguiu? Acho que eu tenho algumas respostas: 1- A gente quer ficar junto 2- A gente investe na nossa relação 3- Existe amizade e cumpl

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There is more to Vanessa Da Mata.

Recordings listed for Vanessa Da Mata include “Boa Sorte / Good Luck”, “Boa Sorte / Good Luck (feat. Ben Harper)” and “Amado”.

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Vanessa Da Mata

Amado

2007
Estimated all-time Spotify gross royalties to rightsholders$478,000Explore
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Deterministic forecast

Spotify royalty estimates

Gross to rightsholders

All time

$479,000

Rounded forecast · nearest $1,000

estimated Spotify gross royalties to rightsholders

Inputs and assumptions
As of
Oct 31, 2026
Source
Chartmetric
Formula version
artistsphere_spotify_gross_preview_v1

Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.

Trailing 12 months

$101,000

Rounded forecast · nearest $1,000

estimated Spotify gross royalties to rightsholders

Inputs and assumptions
As of
Oct 31, 2026
Source
Chartmetric
Formula version
artistsphere_spotify_gross_preview_v1
Measured period
Nov 1, 2025–Oct 31, 2026

Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.

These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.

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Explore the modeled all-platform range, estimated revenue sources, and illustrative recording and composition rights splits. These are estimated gross royalties to rightsholders, not artist take-home pay.

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